
1393. At a feast held by King Charles VI and Queen Isabeau of Bavaria in honour of the wedding of one of the queen’s ladies-in-waiting, the king together with five courtiers, dressed up as Wild Men to perform a masquerade or, others say, a charivari as part of the court entertainment. Their hairy costumes, which… Read more

Dance images are not the first thing you think about when browsing through a devotional or liturgical manuscript. And yet within these countless illuminated manuscripts, dance and dancers appear from time to time, not only, as I discussed in my previous two blogs, in The Hours of the Virgin, but also in other sections of… Read more

During the Middle-Ages and early Renaissance every person of renown and every person who had any means, possessed a book for personal devotion; a Book of Hours. This, to use a contemporary term, ‘bestseller’ contained a section called The Hours of the Virgin, a set of prayers for each of the canonical hours. It was… Read more

Some of the most radiant arts works of the 15th century are to be found in illuminated manuscripts. These exquisite books were treasured and have been meticulously conserved. They, contrary to many medieval and renaissance art works, have retained their original brilliance. Whether devotional or secular, these manuscripts commissioned by wealthy patrons, are artistic gems.… Read more

In one of the oldest streets in Amsterdam, stands an historic building embellished with a gable stone illustrating the Dance around the Golden Calf. This narrow street, once part of an elite neighbourhood where various mayors and the composer Jan Pieterzoon Sweelinck resided, is nowadays situated in the centre of the red light district. The… Read more

In the central panel of the triptych The Temptation of Saint Anthony, stands the ruins of a tower; the top tier shows the hand of God handing the Tablets of Law to Moses and immediately below are the most extraordinary dance figures in all of Bosch’s paintings. Bosch has painted, as if in low relief,… Read more
14th century 15th century 16th century 17th century 18th century 19th century 20th century 21st century Adriaen Brouwer Adriaen Pietersz. van de Venne Adriaen van Ostade Albrecht Dürer Alma-Tadema art Arthurian Legends Bal des Ardents ballet Bergen School Bernard Picart Burgundian Court CoBrA Constant Cornelis Dusart Cornelis Massijs dance Dance/Dancers Dance around the Golden Calf dancers David Ryckaert III David Teniers the Younger David Vinckboons De Stijl Egg dance Else Berg Erhard Schön Flemish Art Frans Francken II Frans Huysmans George Hendrik Breitner Gertrud Leistikow Gillis Mostaert Hans Bol Harmen Meurs Henri Braakensiek Herman Bieling Hieronymus Bosch Hieronymus Francken the Younger Isaac Israels Isaac van Ostade Jacob Grimmer Jacob Savery I Jacobus van Looy Jan Brueghel the Elder Jan Mandijn & followers Jan Miense Molenaer Jan Sierhuis Jan Sluijters Jan Steen Jean-Baptiste Vanmour Jean de Wavrin Jean Froissart Johan Braakensiek Karel Appel Karel van Mander Kees Maks Kees van Dongen Leo Gestel Loyset Liédet Lucas van Valckenborch Maarten van Heemskerck Maastricht Hours Marius Bauer Marten van Cleve Mommie Schwarz Mondrian Paolo Fiammingo/Pauwels Franck Pieter Aertsen Pieter Balten/Peeter Baltens Pieter Bruegel the Elder Pieter Brueghel the Younger Pieter Codde Pieter de Bloot Pieter van der Borcht Pieter van der Heyden Piet Mondrian Piet van der Hem Romance of Alexander Roman de la Rose Rothschild Canticles Salome Sebald Beham Simon Bening Stallman Pim Tango Theo van Doesburg Toer van Schayk Vilmos Huszár Vincent van Gogh Willem de Zwart Willy Sluiter
As a young aspiring dancer I loved to ponder over the magnificent paintings created by Edgar Degas. How his ballerinas inspired me. The atmosphere of the Paris Opera, the beautiful tutus and the hard working dancers never failed to trigger my imagination. As the years past, I retained my love of dance, of Degas, of art, and developed an interest in knowing more about the cross fertilization between art and dance.
