
In my previous post, I looked at images of the basse-danse in medieval manuscripts created during the Burgundian era. This post looks at some of the many images of circle dances illustrating secular manuscripts of the Low Countries during the same period. Circle dances have existed since the dawn of civilization; men and women, boys… Read more

The court of Philip the Good, Duke of Burgundy is legendary. Not only were the palatial banquets, the stunning tournaments and the great pageants magnificent, but Philip the Good (1396-1467) was also a great patron of art and culture. Under his patronage the arts, including the art of the illuminated manuscript, thrived. The Duke was… Read more

28th of January 1393. Charles VI and five courtiers prepared themselves to perform a bizarre dance, at a feast held in honour of the wedding for one of the queen’s ladies-in-waiting. They appeared, in a then popular disguise, as wild men dressed from head to foot in garments, according to the chronicler Jean Froissart, ‘made… Read more

1393. At a feast held by King Charles VI and Queen Isabeau of Bavaria in honour of the wedding of one of the queen’s ladies-in-waiting, the king together with five courtiers, dressed up as Wild Men to perform a masquerade or, others say, a charivari as part of the court entertainment. Their hairy costumes, which… Read more

Dance images are not the first thing you think about when browsing through a devotional or liturgical manuscript. And yet within these countless illuminated manuscripts, dance and dancers appear from time to time, not only, as I discussed in my previous two blogs, in The Hours of the Virgin, but also in other sections of… Read more

During the Middle-Ages and early Renaissance every person of renown and every person who had any means, possessed a book for personal devotion; a Book of Hours. This, to use a contemporary term, ‘bestseller’ contained a section called The Hours of the Virgin, a set of prayers for each of the canonical hours. It was… Read more
14th century 15th century 16th century 17th century 18th century 19th century 20th century 21st century Adriaen Brouwer Adriaen Pietersz. van de Venne Adriaen van Ostade Albrecht Dürer Alma-Tadema art Arthurian Legends Bal des Ardents ballet Bergen School Bernard Picart Burgundian Court CoBrA Constant Cornelis Dusart Cornelis Massijs dance Dance/Dancers Dance around the Golden Calf dancers David Ryckaert III David Teniers the Younger David Vinckboons De Stijl Egg dance Else Berg Erhard Schön Flemish Art Frans Francken II Frans Huysmans George Hendrik Breitner Gertrud Leistikow Gillis Mostaert Hans Bol Hans Vredeman de Vries Harmen Meurs Henri Braakensiek Herman Bieling Hieronymus Bosch Hieronymus Francken the Younger illuminated manuscript Isaac Israels Isaac van Ostade Jacob Grimmer Jacob Savery I Jacobus van Looy Jan Brueghel the Elder Jan Mandijn & followers Jan Miense Molenaer Jan Sierhuis Jan Sluijters Jan Steen Jan Toorop Jean-Baptiste Vanmour Jean de Wavrin Jean Froissart Karel Appel Karel van Mander Kees Maks Kees van Dongen Leo Gestel Loyset Liédet Lucas van Valckenborch Maarten van Heemskerck Maastricht Hours Marius Bauer Marten van Cleve Mommie Schwarz Mondrian Paolo Fiammingo/Pauwels Franck Pieter Aertsen Pieter Balten/Peeter Baltens Pieter Bruegel the Elder Pieter Brueghel the Younger Pieter Codde Pieter de Bloot Pieter van der Borcht Pieter van der Heyden Piet Mondrian Piet van der Hem Romance of Alexander Roman de la Rose Rothschild Canticles Salome Sebald Beham Simon Bening Tango Theo van Doesburg Toer van Schayk Vilmos Huszár Vincent van Gogh Willem de Zwart
As a young aspiring dancer I loved to ponder over the magnificent paintings created by Edgar Degas. How his ballerinas inspired me. The atmosphere of the Paris Opera, the beautiful tutus and the hard working dancers never failed to trigger my imagination. As the years past, I retained my love of dance, of Degas, of art, and developed an interest in knowing more about the cross fertilization between art and dance.
