
The wedding feast was a popular theme in 16th- and 17th-century Flemish art. The Peasant Wedding Dance by Pieter Bruegel the Elder (1525/30-1569) is among the earliest and most renowned works. The original painting has been lost, but Bruegel’s initial design endures in an engraving by Pieter van der Heyden (1530-1572), created after 1570. The… Read more

The Flemish Baroque artist David Teniers the Younger (1610-1690) defined 17th-century genre painting. Teniers’ early genre work, inspired by Adriaen Brouwer, was set in dim, smoky taverns with uncouth peasants drinking, gambling, and performing all types of indecorous activities. Teniers, similar to Brouwer, originally highlighted the grim realities of peasant life. In a matter of… Read more

One of the most popular themes in 16th and 17th century Flemish art was the village festival. Artists from Pieter Bruegel the Elder to David Teniers the Younger illustrated village life featuring peasants drinking, frolicking, dancing and enjoying themselves. The artists painted spacious village squares brimming with exuberant peasants. It was not uncommon to spot… Read more

David Teniers the Younger (1610-1690) was a leading 17th-century Flemish artist, celebrated for his depictions of rural life. Dance and dancers occupied a pivotal role in his images of wedding celebrations, village life, and tavern scenes. In fact, he painted more peasant dance scenes than any other artist of his time. Apart from his many… Read more

The celebrated Russian dancer Vaslav Nijinsky (1889-1950) is a continuous source of inspiration for the prolific Dutch artist, Toer van Schayk (1936). Van Schayk is a man of many talents. He was an exceptional dancer. To this very day, he is a sculptor, a painter, a choreographer, and a designer who approaches each creative discipline… Read more

I cannot recall a Shakespearean play that has inspired more choreographers than Romeo and Juliet. The eternal love of Romeo and Juliet that flourishes despite the feud between the Montagues and the Capulets has consistently captured the imagination of creative artists. Long before Sergei Prokofiev composed the musical score (c. 1935), a version of Romeo… Read more
14th century 15th century 16th century 17th century 18th century 19th century 20th century 21st century Adriaen Brouwer Adriaen Pietersz. van de Venne Adriaen van Ostade Albrecht Dürer Alma-Tadema art Arthurian Legends Bal des Ardents ballet Bergen School Bernard Picart Burgundian Court CoBrA Constant Cornelis Dusart Cornelis Massijs dance Dance/Dancers Dance around the Golden Calf dancers David Ryckaert III David Teniers the Younger David Vinckboons De Stijl Egg dance Else Berg Erhard Schön Flemish Art Frans Francken II Frans Huysmans George Hendrik Breitner Gertrud Leistikow Gillis Mostaert Hans Bol Hans Vredeman de Vries Harmen Meurs Henri Braakensiek Herman Bieling Hieronymus Bosch Hieronymus Francken the Younger illuminated manuscript Isaac Israels Isaac van Ostade Jacob Grimmer Jacob Savery I Jacobus van Looy Jan Brueghel the Elder Jan Mandijn & followers Jan Miense Molenaer Jan Sierhuis Jan Sluijters Jan Steen Jan Toorop Jean-Baptiste Vanmour Jean de Wavrin Jean Froissart Karel Appel Karel van Mander Kees Maks Kees van Dongen Leo Gestel Loyset Liédet Lucas van Valckenborch Maarten van Heemskerck Maastricht Hours Marius Bauer Marten van Cleve Mommie Schwarz Mondrian Paolo Fiammingo/Pauwels Franck Pieter Aertsen Pieter Balten/Peeter Baltens Pieter Bruegel the Elder Pieter Brueghel the Younger Pieter Codde Pieter de Bloot Pieter van der Borcht Pieter van der Heyden Piet Mondrian Piet van der Hem Romance of Alexander Roman de la Rose Rothschild Canticles Salome Sebald Beham Simon Bening Tango Theo van Doesburg Toer van Schayk Vilmos Huszár Vincent van Gogh Willem de Zwart
As a young aspiring dancer I loved to ponder over the magnificent paintings created by Edgar Degas. How his ballerinas inspired me. The atmosphere of the Paris Opera, the beautiful tutus and the hard working dancers never failed to trigger my imagination. As the years past, I retained my love of dance, of Degas, of art, and developed an interest in knowing more about the cross fertilization between art and dance.
